---
title: Audio Fingerprinting - Opportunities for digital musicology
canonical: https://0110.be/posts/Audio_Fingerprinting_-_Opportunities_for_digital_musicology
markdown_url: https://0110.be/posts/Audio_Fingerprinting_-_Opportunities_for_digital_musicology.md
id: 425
published_at: '2014-11-25T00:00:00Z'
updated_at: '2025-11-29T22:11:24Z'
author: Joren
tags:
- name: Computational musicology
  markdown_url: https://0110.be/tags/Computational%20musicology.md
- name: IPEM
  markdown_url: https://0110.be/tags/IPEM.md
- name: Music Information Retrieval
  markdown_url: https://0110.be/tags/Music%20Information%20Retrieval.md
- name: Panako
  markdown_url: https://0110.be/tags/Panako.md
- name: Presentation
  markdown_url: https://0110.be/tags/Presentation.md
- name: UGent
  markdown_url: https://0110.be/tags/UGent.md
---

# Audio Fingerprinting - Opportunities for digital musicology

The 27th of November, 2014 a lecture on audio fingerprinting and its applications for digital musicology will be given at [IPEM](http://www.ipem.ugent.be/). The lecture introduces audio fingerprinting, explains an audio fingerprinting technique and then goes on to explain how such algorithm offers opportunities for large scale digital musicological applications. Here you can download the slides about [audio fingerprinting and its opportunities for digital musicology](https://0110.be/files/attachments/425/2014.11.27.aucoustic_fingerprinting.pdf).

With the explained audio fingerprinting technique a specific form of very reliable musical structure analysis can be done. Below, in the figure section, an example of repetitive structure in the song [Ribs Out](https://www.youtube.com/watch?v=WI7MonB-hig) is shown. Another example is comparing edits or versions of songs. Below, also in the figure section, the radio edit of Daft Punk's Get Lucky is compared with the original version. Audio synchronization using fingerprinting is another application that is actively used in the field of digital musicology to [align audio with extracted features](http://acousticbrainz.org/).

Since acoustic fingerprinting makes structure analysis very efficiently it can be applied on a large scale (20k songs). The figure below shows that identical repetition is something that has been used more and more since the mid 1970's. The trend probably aligns with the amount of technical knowledge needed to 'copy and paste' a snippet of music.

<div  align="center">
<img width="70%" src="https://0110.be/files/photos/425/repetition_over_time.png" alt="How much identical repetition is used in music, over the years"/>\
<br><span>Fig: How much identical repetition is used in music, over the years.</span>

</div>
The [Panako audio fingerprinting system](http://panako.be) was used to generate data for these case studies. The lecture and this post are partly inspired by [a blog post by Paul Brossier](http://aubio.org/news/20091111-2339_shazam).


![Spectral peak Acoustic fingerprinting system](https://0110.be/files/photos/425/spectral_peak_based_fingerprinting_system.png)

![Structure in Ribs Out](https://0110.be/files/photos/425/structure_in_ribs_out.png)

![Radio edit vs. original of Daft Punk's Get Lucky](https://0110.be/files/photos/425/radio_vs_original_edit.png)

![How much identical repetition is used in a set of 20k songs.](https://0110.be/files/photos/425/repetition_over_time.png)

- [2014.11.27.aucoustic\_fingerprinting.pdf](https://0110.be/files/attachments/425/2014.11.27.aucoustic_fingerprinting.pdf)

- [get\_lucky\_radio\_vs\_original.ods](https://0110.be/files/attachments/425/get_lucky_radio_vs_original.ods)

- [music\_structure\_analysis\_ribs\_out.ods](https://0110.be/files/attachments/425/music_structure_analysis_ribs_out.ods)

- [repetition\_over\_time.ods](https://0110.be/files/attachments/425/repetition_over_time.ods)
